Art guarded with your life

Leonardo da Vinci died on this date in 1519 and so today I am recalling the occasions on which I have had the opportunity to view some of his paintings.

One experience that especially stands out was when I saw the Lady with an Ermine painting at Wawel Castle and Cathedral in Poland. There was a long line to see this painting and only a few museumgoers at a time could enter the room in which the painting was exclusively displayed. Once my friends and I finally crossed the threshold and entered the room containing the painting, we noticed the armed guards attending to it.

This was several years ago when Islamist terrorists were wreaking havoc and attacks were a high threat in Europe. I thought about the armed guards and how it was that they were defending this artwork with their lives, particularly when there was a real threat of terrorism in key sites epitomizing our civilization.

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At the End of Life, the Artist is Necessary

According to the Cambridge Dictionary, the word “clinical” may denote “expressing no emotion or feelings” or “showing no character and warmth.” The sentence that is given to illustrate its meaning is this: “We were going to paint our kitchen white, but we decided that would look too clinical.”

Do you ever wonder why hospitals and doctor’s offices are so drab? Why does there seem to be so little attention paid to aesthetics? What impact does this have on doctors, nurses, patients, and visitors?

One day, Cecily Saunders, the British pioneer of modern-day hospice care, was “magnetically drawn” to an oil painting in a gallery window. She was so taken by it that she parked her car and entered the gallery moments before they were closing on the last day of the exhibition. Cecily Saunders moved eagerly from painting to painting. The blue Crucifixion had been the piece to catch her eye from the window, but the piece she impulsively chose to purchase was of ‘Christ Calming the Waters.’

The following day, she wrote the following to the artist, Marian Bohusz-Szyszko:

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