This evening I am recalling going with a friend to France on a trip that we themed: “Corpses, Cathedrals, and Combat.”
During our roadtrip through Normandy, we visited Bayeux.
There we came upon a memorial park, at the entrance to which we found a monument that said:
“Bayeux, which has witnessed a freedom dearly won has included the Memorial to Reporters in its ‘Liberty Alley’ to encourage the younger generations to think about what freedom really means.”
Parallel to that is a monument that says “Memorial to Reporters” and then:
“This place is dedicated to reporters and to freedom of the press. It is unique in Europe, forming a walkway among the stones engraved with the names of journalists killed all over the world since 1944.”
I took these monuments in with earnestness and solemnity, and I made a point of stopping especially at the monument that included the names of the Charlie Hebdo satirical journalists killed by Islamists in 2015 since I remembered this so well.
Leonardo da Vinci died on this date in 1519 and so today I am recalling the occasions on which I have had the opportunity to view some of his paintings.
One experience that especially stands out was when I saw the Lady with an Ermine painting at Wawel Castle and Cathedral in Poland. There was a long line to see this painting and only a few museumgoers at a time could enter the room in which the painting was exclusively displayed. Once my friends and I finally crossed the threshold and entered the room containing the painting, we noticed the armed guards attending to it.
This was several years ago when Islamist terrorists were wreaking havoc and attacks were a high threat in Europe. I thought about the armed guards and how it was that they were defending this artwork with their lives, particularly when there was a real threat of terrorism in key sites epitomizing our civilization.