Suicide

Seeing that we will die

Josef Pieper is truly one of the most wonderful (i.e., actually filled-with-wonder) philosophers of the twentieth century. Just when I thought that I had read most of his works, I discovered that he wrote a book entitled Death and Immortality. A huge thanks to St. Augustine’s Press for translating and publishing Pieper’s works and I especially look forward to reading the recently published parts two and three of Pieper’s three-part autobiography.

Today I want to share with you a marvelous section on Rembrandt in “The Vocabulary of Death” chapter of Pieper’s Death and Immortality book.

Continue reading →

I Want What You Have Lived And Suffered

Among my hobbies these days is attending a bioethics book club every two weeks on O. Carter Snead’s new book What It Means to Be Human: The Case for the Body in Public Bioethics. The book is about how the dominant view in our time of persons as expressive individualists contradicts the lived experience of our embodied reality. Snead analyzes why we go astray in our public bioethics when we do not account for the realities of vulnerability and mutual dependence in and throughout our lives.

Most recently the study group finished reading the chapter on Death and Dying. In it, Snead notes: “By far the most common rationales cited for seeking assisted suicide were concerns about ‘losing autonomy’ (92 percent) and being ‘less able to engage in activities making life enjoyable’ (91 percent).”

Since there are many reasons why we can lose autonomy and the ability to engage in activities that make life enjoyable, it is worth scrutinizing these ideas of “freedom” – the loss of which risks rendering life seemingly not worth living.

I am reminded of Russian filmmaker Andrey Tarkovsky’s reflections. In Sculpting in Time, he says: “And the longer I lived in the West the more curious and equivocal freedom seems to me. Freedom to take drugs? To kill? To commit suicide?”

He goes on:

Continue reading →

Justifying Our Contempt for Death

In Antoine de Saint-Exupéry Wind, Sand and Stars, the author discusses the character of both his friend Guillaumet as well as that of an old gardener in juxtaposition with the story of a suicide. Take a look at the contrast between them that he paints by his description:

Continue reading →