It can be quite unsettling to us when someone expresses a desire to die.
Even when a person is very elderly and is naturally approaching death, hearing them say that they want to die can sound to us like a complaint, a cry for help.
Yet, Michel de Montaigne has a very articulate reflection on how ageing and illness naturally draws a person into resignation concerning death and toward an acceptance of it in a way that makes sense.
This evening I read a short book written by my friend and colleague’s grandmother.
In the brief memoir, Walk with Me: growing rich through relationships, author Judy Rae reflects on the experience of caring for her husband Joe while he developed Alzheimer’s.
Presented with honesty and infused with a faith, Rae offers a window into how caregiving can be a school in humanity.
Judy recounts the pain and sorrow of watching her husband lose his memory and she does not skirt the undeniably tragic dimensions of this disease.
“I have been told that when a person is diagnosed with Alzheimer’s disease, he is introduced to a world of loneliness, rejection, terror, confusion, misinformation, and termination. Can this tragedy bring with it any victory into our lives?” she asks.
Rae speaks about how Joe became embarrassed and humiliated by what he could no longer do or remember. Despite the continual accompaniment, affection, and affirmation of his wife, Joe’s feelings of uselessness regularly caused him to get frustrated with himself and even to cry.
Today is the feast of St. Joseph the Worker and this post examines Pope Francis’ beautiful Apostolic Letter “With A Father’s Heart” to explore the practical ways in which we can see work as a context for self-gift through which we fulfill the meaning of our lives.
I have organized the themes of the letter into the following eight categories. Each category begins with a excerpt from the letter and then includes a question or two for our contemplation of some possible practical applications.
1. Names and Relationships:
In Antoine de Saint-Exupéry Wind, Sand and Stars, the author discusses the character of both his friend Guillaumet as well as that of an old gardener in juxtaposition with the story of a suicide. Take a look at the contrast between them that he paints by his description:
Years ago, one cold December night, I approached St. Christopher’s Hospice in South London. Through the window, I could see several people getting seated around a table. I went to the main entrance and informed the receptionist that I was here for the Death Chat, and she pointed me toward the room that I had seen through the window.
Those who were there greeted me warmly. A man named Anthony was speaking and it was the opposite of small talk. After a few others had arrived, Kostas, a principal social worker in Social Work, Bereavement, and Welfare, facilitated the introductions.